Little Amélie or the Character of Rain is a sweet, tender exploration of the humanistic value of sentimentality and companionship. It’s a remarkably human film, despite its protagonist consistently trying to convince herself otherwise
DEREK EX MACHINA, created by author and editor Derek L.H., is a blog dedicated to exploring the effect that video games and film have on people.
All tagged Film
Little Amélie or the Character of Rain is a sweet, tender exploration of the humanistic value of sentimentality and companionship. It’s a remarkably human film, despite its protagonist consistently trying to convince herself otherwise
Spirited Away’s thematic density and depth are precisely what elevate it to greatness. Even I, as someone that takes issue with some major elements of the film, can comfortably call Spirited Away a masterpiece because it’s a film that begets looking at the world in so many different ways.
Tron: Ares provides comfort through its immersion, and the coolness embedded into the very essence of this movie only further drenches the film in style. It’s enough for Tron: Ares to be a cool film above all else, because such an emotion and style is one that we don’t see much of as a primary emotion elicited in blockbuster films such as this.
Bob Trevino Likes It carries with it an infectious optimism amid its heavy emotion, and that’s what makes the film so satisfying, uplifting, and sometimes heartbreaking to watch. Connection is something that dramatically transforms Lily, allowing her to become a better version of herself, and such a thing can and should happen to all of us.
We’re in the midst of a quiet but powerful revolution in animated filmmaking. Through giving animated movies your time and support, we can turn this quiet revolution into a full-blown renaissance - one where the place of animation greatly expands and becomes a widely respected side of the industry that sees consistent innovation, creativity, and reminders of why movies are so special in the first place.
Weirdness is a vital component to storytelling - one that fuels human creativity in a way that nothing else can. It is for that reason that the conversation around weirdness in media needs to shift.
2024 was unquestionably a year where indie films dominated my mind for most of the year. Whether it’s through inventive horror or non-verbal animation, 2024 offered some of the best films of the last decade.
Few movies explore this experience as succinctly and genuinely as A Real Pain. Through a script that masterfully balances chaotic discomfort and quietude, A Real Pain makes for one of the best film experiences of the year.
Heretic is a supremely smart, hilarious, and disturbing movie that masterfully balances emotion, logic, and skepticism to craft a story that is sure to inspire broader, deeper conversations about faith and its relationship with control among its audience.
Through its dark humor and brilliantly realized characters, The Art of Self-Defense manages to say a lot about violence and masculinity without every coming across as full of itself or preachy. Self-Defense is a film that very much understands what it is and the kind of story it’s trying to tell, and doesn’t attempt to be anything that it isn’t. What results is a film that is tightly focused, funny, and intelligent.
Widows - while certainly having some excellently realized commentary on modern western culture and the increasing spread of apathy - doesn’t manage to do much you haven’t seen before in a heist film […] It’s certainly flawed, but it’s clear that this film was a product of smart and lovingly-crafted writing and direction, which alone makes it worth a watch.
Beautiful Boy creates a narrative experience that was intimate in a way that few other films are able to replicate. This film provides a refreshing and insightful look into the extent to which addiction affects family. More than anything, though, Beautiful Boy dares to show the lengths we’re willing to go to save those we care about, even when we know that it very well may be for nothing.
With a screenplay that feels awkward and tonally confused, performances that either feel miscast or missing strong characterization, and a structure that feels both formulaic and dated, Venom is a corporate, mediocre mess. Given the plethora of comic-book-to-film adaptations we’ve seen this decade, there are many, many better ways to spend your time if you’re looking for an enjoyable comic book adaptation.